"संगीत व मानसशास्त्र - भाग ७"

"संगीत व मानसशास्त्र - भाग ७"

©दिलीप वाणी,पुणे

उदयने आज रफीच्या आवाजातले "राग चारूकेशी" मधे बांधलेले "राज(१९६७)" या चित्रपटातले रफ़ी यांनी गायलेले व कल्याणजी आनंदजी यांनी संगीतबध्द लेले शमीम जयपुरी यांचे "अकेले हैं चले आओ जहाँ हो" हे गीत सादर करताच टोपी पटकन उद्गारला अरेच्च्या ! हे तर लताताईंचे गीत आहे ! दोघे ही बरोबर आहेत.पण हे द्वंद्व गीत देखील नाही.मग हे आहे तरी काय ? एकमेकांना न ओळखणारे नायक व नायिका एकमेकांना उद्देशून तेच गीत कसे काय म्हणतील ?त्यामुळे मला तरी हे मानसशास्त्रातील "Déjà vu phenomenon" चे उदाहरण वाटते आहे.काय आहे ही भानगड ? वाचा.

1.Cryptomnesia -

Another possible explanation for the phenomenon of déjà vu is the occurrence of cryptomnesia, which is where information learned is forgotten but nevertheless stored in the brain, and similar occurrences invoke the contained knowledge, leading to a feeling of familiarity because the event or experience being experienced has already been experienced in the past, known as "déjà vu".

2.Some experts suggest that memory is a process of reconstruction, rather than a recollection of fixed, established events.This reconstruction comes from stored components, involving elaborations, distortions, and omissions.

3.Each successive recall of an event is merely a recall of the last reconstruction.

4.The proposed sense of recognition (déjà vu) involves achieving a good match between the present experience and the stored data.

5.This reconstruction, however, may now differ so much from the original event it is as though it had never been experienced before, even though it seems similar.